I totaled my first car listening to Agnostic Front’s third album. Cruising over the california hills from Leaders of the NYC Hardcore scene in the late eighties, their stripped down sound mutated into a punishing Oi!/thrash metal hybrid that led the way for many acts to follow (Hatebreed, anyone?). They decided to call it quits in 1992 with a final show at CBGB’s, but reformed in ‘97, and have been going strong ever since. Their halloween show was one of the first of a worldwide tour that has them travelling to Spain, Russia, Germany and of course, New Jersey.
Opening act Seventh Star brought a dose of Floridian growling over crunching guitar. Their core fans hadn’t shown up yet and I think they were a little disappointed with the passive response they got. I’m sure back in their hometown of Ocala, Fl, these guys kill it. They did give a shout-out to a 16th Century Church reformer, “This one’s dedicated to Martin Luther!”. Not quite the fist raising call to arms I was expecting at a hardcore show.
Boston punks Death Before Dishonor went on just as the crowd had reached critical density. The pit opened for business and the air punchers got busy wilding out. Lead Singer Brian Harris kept the intensity up and drove through their bass-thick anthems like a true veteran. DBD has a huge following in the Northeast and I’m sure they’re used to much larger crowds, but they didn’t hold back at all. Amazing considering their current tour has them playing shows almost every night for two months straight.
By the time Agnostic Front went on, Cumberland’s had finally filled up. Singer Roger Miret jumped right into it and didn’t let up for the rest of the night. The pit was filled with a mix of generations slamming into each other and circling in unison. From the range of ages out there, I felt like I was looking at the whole history of hardcore. Except for one drunk dude who got booted quickly, everybody kept the intensity up without having to throw down.
AF has been doing this a long time and delivered a wide ranging set. They ditched some of the metal styled timing changes and solos on their older albums and went for a straight up assault. ‘The Eliminator’ churned the pit into a frenzy that didn’t recede until Miret brought everyone in to sing ‘Still Here’ with him with fists in the air.
Some of material was hard to pick out. I guess they wanted to mix it up with material from their impending album (‘Warriors’, coming out Nov.6). The new songs were just as intense as anything they made in the eighties.
This was a rare chance for Charleston to see these hardcore legends.
